Erin Cosgrove Lecture - May 1st





Erin Cosgrove is an artist and writer who uses video, animation, books, painting, scrolls, timelines, installation, and performance in her artwork. Erin was born in St. Paul, Minnesota, and has lived in Los Angeles since 1998. She received her BFA from The University of Minnesota in 1996 and an MFA from ULCA in 2001.

Since 2001 her work has been exhibited throughout the United States and Europe including one-person shows at The Hammer Museum, Los Angeles; Carl Berg Gallery, Los Angeles; Printed Matter, New York; and Espace Croise Centre d'art Contemporain, Roubaix, France. Her art is represented in the collections of The Museum of Contemporary Art, Los Angeles and The Hammer Museum, Los Angeles. Her work has been included in shows at The Brooklyn Museum of Art, New York; Galleri S.E International Contemporary Art, Bergen, Norway; Catharine Clark Gallery, San Francisco; Rogue Wave at LA Louver, Los Angeles; The Armory Show, New York; The Santa Barbara Museum of Art; Kunst-Werke, Berlin, Germany; The Landesmuseum Joanneum, Graz, Austria; and Arco, Madrid.

Ms. Cosgrove is also a published author. Her art novel, The Baader-Meinhof Affair, was published by Printed Matter, NY, in 2003 and was translated for a German edition by blumenbar Verlag, Munich, in 2005. Her videos have been screened at The Museum of Modern Art, New York; Videoformes, Auvergne, France; Pulse 2010, Miami; Migrating Forms Film Festival, New York; Christine Koenig Gallery, Vienna, Austria; The Pleasure Dome, Toronto; The Wexner Center for the Arts, Ohio; The Blanton Museum, Austin, Texas; The Impakt Festival, Utrecht, Netherlands; VPRO (Netherlands TV), and other venues as well.

She has received grants and fellowships from The John Simon Guggenheim Foundation, The Creative Capital Foundation, The City of Los Angeles Department Of Cultural Affairs, The Contemporary Collectors of Orange County, The Center for Cultural Innovation, The Durfee Foundation, The Jerome Foundation, and other sources.

Lisa Blatt Lecture - April 22nd



Upcoming this Monday, April 22, Artist Lisa Blatt will be hosting a lecture located at the Historic 1st Street School Auditorium 401 S. Forth Street open to the public, faculty, and student at 7:00 PM.

Lisa Blatt is an artist whom works with photography, video and installation pieces.  Blatt received her MFA at the San Francisco Art Institute and is currently apart of the visiting faculty specializing in photography and new genres. The minimalist compositions and bright use of color create brilliant documentary styled images of nature. Her work has been exhibited internationally including such exhibitions asPolar Extremes (Iceland, 2009) and Desert Water (St. Louis, 2011). 

"Lisa K. Blatt is attracted to the light, beauty, and simplicity of the desert, but stays for its complexity, contradictions, and secrets. She often works in extreme landscapes, including camping on a live volcano in Antarctica where she survived a Condition One storm trapped in her tent for six nights." -Faculty of San Francisco Art Institute

Her commitment to rediscovering the mystery and beauty of the hot and cold deserts of the earth, her true passion for these places, makes this work so resounding. It ultimately is a documentation of sorts—of her passion for these places that come alive in her eyes, in her camera. -- Cindy Sherman

For additional information, please visit www.lisakblatt.com

In collaboration with LV Arts Commission & UNLV Department of Art
Contact pasha.rafat@unlv.edu for any questions or further information.

Artists In Residence


Artists In Residence, Spring 2013: 


Doug Harvey

 Erin Cosgrove

Classes:

ART 498 (1003) Tuesday & Thursday 11:30-2:15

ART 700 (1003) Wednesday 11:30-2:15

Art links


UNLV students of the Fall 2012 Visiting Artist Lecture Series class share research links related to specific art topics, visit:


Philipp Scholtz Ritterman: Dec. 6th

Lecture: Thursday Dec. 6th @ 7:00pm

Photography Workshop: Friday Dec. 7th, 10:00am-12:00pm HFA 277 
(Alta Ham Fine Arts building, UNLV campus) Open to public


Photographer, Philipp Scholtz Ritterman will visit UNLV on Dec. 6th as the last Fall lecturer of the Visiting Artist Lecture Series 2012, and will also hold a Photography workshop on Friday Dec. 7th. 

From nocturnal scenes of industry to views of pristine landscape, Scholz Rittermann’s work spans opposite ends of our environment. His work is held in over one hundred public, private and corporate collections, from MoMA, New York to the Bibliotheque Nationale in Paris, France. Scholz Rittermann exhibits in national, and international venues, and he was honored with a mid-career survey at the Museum of Photographic Arts San Diego, which published the monograph “Navigating by Light”. Scholz Rittermann has been teaching photography for over thirty years in the USA and abroad.In 2011, the Museum of Contemporary Art San Diego, La Jolla Campus exhibited large scale photographs from “Emperor’s River”, a new multi-year project he has been conducting in China.Represented by: Scott Nichols Gallery, San Francisco, CA Source

Links:

November 29th: MFA Presentations

The Visiting Artist Lecture Series welcomes you to MFA presentations by current UNLV Master of Fine Art students, at 7:00 in BPB 102 (Robert L. Bigelow Physics Building).



Kota Ezawa: November 15th


                                                                                      The Simpson Verdict, 2002
                                                                                                    DVD still
                                                                                                 3-min. loop
                                                                                                Edition of 15
Kota Ezawa was born in Germany and now lives and works in California. Ezawa received his MFA from Stanford University and BFA from San Francisco Institute of Art, and he is currently an Assosciate Professor at the California College of Fine Arts. Ezawa employs handwork and digital techniques to translate iconic images from television, cinema, and art history into minimal yet evocative versions of the originals. Ezawa’s work has been shown in many solo and group exhibitions within the U.S.A, as well internationally in Canada, Germany, Brazil, Korea, Switzerland, and England. Most recent exhibitions held in 2012 include: Offsite: Kota Ezawa, in the Vancouver Art Gallery, Canada; The Curse of Dimensionality, Haines Gallery, San Fransisco; Paper or Plastics, Mendes Wood, Brazil; City of Nature, exhibitied in Feldbuschwiesner Galerie in Berlin, and Murray Guy gallery and Madison Square Park, NY. Previously his work has been shown in solo exhibitions at Hayward Gallery Project Space (London), Artpace San Antonio, and Wadsworth Atheneum Museum of Art, among many others. He participated in many group exhibitions some including the Museum of Modern Art in New York, Whitney Museum of American Art, Warhol Museum, and Musée d'Art Moderne de la Ville de Paris. He has participated in Biennals including The 5th Seoul International Media Art Biennale, Seoul Museum of Art, Korea, and the Shanghai Bienniale 2004, Shanghai Art Museum. Ezawa is the recipient of numerous awards including the Tiffany Foundation Aware (2005) and the SECA Art Award (2006). Source

Links:

Flood, 2011
Duratrans Transparency box
Image: 24"x36" light box: 26"x38

Rebecca Campbell: Nov. 8


Epidemic, 2011
oil on canvas
84 x 60 in. (213.4 x 152.4 cm)

Rebecca Campbell received her Bachelor of Arts at Pacific Northwest College of Art in Portland, Oregon in 1994 and her Masters of Fine Arts at the University of California, Los Angeles in 2001. She completed her residency at the Vermont Studio Center in Johnson, Vermont in 1998. 
Campbell is the recipient of the D’arcy Hayman Award, University of California, Los Angeles; the Werner Hirsch Drawing Award, University of California, Los Angles; and the Feitelson Arts Foundation Award, University of California, Los Angeles.

She has had several solo exhibitions at such venues as L.A. Louver Gallery, Venice, California. Her recent group exhibitions include “A Peculiear People” at the Pheonix Art Museum with Angela Ellsworth, Phoenix, AZ; “Broodwork: It’s about Time” at the Ben Maltz Gallery at Otis College of Art, Los Angeles, CA; CGU Art Adjunt Faculty Exhibition at Peggy Phelps & East Galleries, Claremont Graduate University, Claremont, CA; “Negotiating Reality: Recent Works from the Logan Collection” at Victoria Myhren Gallery, University of Denver, CO; “Eye to Eye” at Cornell Fine Arts Museum, Winter Park, FL; “Figuration: Paintings and Drawings” at L.A. Louver, Venice, CA; American Academy of Arts and Letters Invitational Exhibition of Visual Arts at American Academy of Arts and Letters, New York, NY; ARCOMadrid 2010 29th International Art Fair, Madrid, Spain and “Mirror, Mirror: Contmporary Portraits and the Figuitive Self” at BYU Museum of Art, Provo, UT. Campbell currently lives and works in Los Angeles. Source
Boom 2, 2010 
                                                                            oil on canvas 20 x 12 in. (50.8 x 30.5 cm)
Photo source: LA Louvre

Erik Beehn: November 6th


Photographic Intaglio Workshop with Erik Beehn
November 6th @ 2:30pm
Grant Hall 112

Lecture @ 4:30pm:
Collaborative Processes with Artists in Printmaking
HFA 257

http://www.geminigel.com

Samantha Fields: Nov. 1



"Triangle Complex (Diamond Bar) as Seen from Krai's Old Neighborhood", 2009 acrylic on canvas over panel, 51 x 80 inches. 
Samantha Fields was born in Cleveland Ohio in 1972. After receiving her BFA from the Cleveland Institute of Art, and her MFA from Cranbrook Academy of Art, she moved to Los Angeles, where she is currently a Professor of Art at California State University, Northridge.
Her work is represented by Western Project in Los Angeles. She has an extensive exhibition history, including shows at Kim Light/LIGHTBOX Gallery, Melanee Cooper Gallery in Chicago, The Armory Center for the Arts in Pasadena, Solway Jones Gallery in Los Angeles, Dirt Gallery in Los Angeles, POST Gallery in Los Angeles, Domestic Setting Gallery in Mar Vista, California, Suzanne Hilberry Gallery in Detroit, Lemberg Gallery in Birmingham, Michigan, The Jones Center for Contemporary Art in Austin, Texas, and Galerie Enholm Englehorn in Vienna, Austria. She has also participated in the community based collaborative exhibitions REBEL REBEL and East West Trading Post at artist Annie Shaws innovative Los Angeles project space, The New Chinatown Barbershop.
With her husband, artist Andre Yi, she co-founded the Los Angeles based website zerodegreesart.com, which documents their community of artists and critics. Her work has been reviewed in the Los Angeles Times, ArtWeek, Art in America, The Detroit News, The Detroit Free Press and the Cleveland Plain Dealer.
Professor, 1998
B.F.A. 1995, The Cleveland Institute of Art
M.F.A. 1998, The Cranbrook Academy of Art

Links:

Bruce McClure


Bruce McClure will present a projection performance for the Visiting Artist Lecture Series this Thursday, Oct. 25th taking place at 7pm in HFA 111 Studio One (the Alta Hamm Fine Arts Building; UNLV Dance Department).

Bruce McClure doesn’t make films, he performs them... Twirling knobs, flipping switches, and adjusting lenses, he coaxes a bank of whirring projectors into producing images impossible to record” The Brooklyn Rail.


The New York based performer graduated with a degree in Architecture in 1985 and worked as a residential Architecture for over two decades, becoming interested in cinematic performance pursuits in 1994 (Source). The Walker Art Center describes McClure’s 2009 projector performance as a “totally sensory experience […] informed by the way the brain reacts to light and sound. Using an array of modified 16mm projectors, film loops, and guitar pedals, his work challenges cinematic conventions. Film loops patterned with patches of emulsion on a translucent base are combined with an optical soundtrack to create a physically intense adventure.” McClure has performed in numerous venues within the U.S. including the Walker Art Center and Whitney Biennale; as well internationally in Canada, Europe, UK, and Australia.

Projection performance includes loud volume; earplugs are strongly advised. 

Links:

David Pagel


Visiting October 18th:


David Pagel is a curator, art critic and an associate professor at Claremont Graduate University. He regularly writes for the Los Angeles Times and has had several otherpublications. He received his M.A. from Harvard University and B.A at Stanford University.
Recent exhibitions curated by David Pagel include “Stone Gravy (2012) in New York; “Pieceable Kingdoms (2011) in Inglewood, California; and “L.A. Now” at the Las Vegas Art Museum (2008). Past co-curated exhibitions include “softcore HARD EDGE” (2011) in Calgary, Alberta Canada; “Underground Pop” (2010) in Southhampton, New York; and “Damaged Romanticism, A Mirror of Modern Emotion” (2009) in Southhampton, New York.
Source
Links:

Rebecca Morris' lecture will begin at approximately 7:30pm tonight due to flight complications.

Photographic Intaglio Workshop with Erik Beehn
November 6th @ 2:30pm
Grant Hall 112

Lecture @ 4:30pm:
Collaborative Processes with Artists in Printmaking
HFA 257

                                                                              

http://www.geminigel.com

Rebecca Morris


Rebecca Morris lives and works in Los Angeles, she is a painter as well as a professor at Pasedena City College. She has been described as “known for revitalizing abstract painting through her acclaimed artwork”. Morris is represented by the Galerie Barbara Weiss gallery in Berlin, Germany, and the Harris Lieberman Gallery in New York. She has held solo exhibitions at The Renaissance Society, Chicago, and The Santa Monica Museum of Art, as well has participated in many group exhibitions. Morris is the author of Manifesto: For Abstractionists and Friends of the Non-Objective and has received many considerable awards including the Guggenhiem Fellowship and The Board of Trustees/Academic Senate Faculty Distinguished Lecturer Award. She has lectured at numerous colleges throughout the country and will be visiting UNLV on October 11th.


Gary Kornblau

Gary Kornblau will be visiting on October 4th presenting his lecture titled,

PRIESTS, DRAG QUEENS, SCIENTISTS, AND CELEBRITIES: 
A NEW TAXONOMY FOR ART IN THE 21ST CENTURY 

Gary Kornblau is the founder of Art issues Magazine and Art Issues PressThe Fine Art at Art Center magazine states that the "Art Issue magazine [is] a seminal arts journal that was instrumental in the rise of Los Angeles as an international art capital towards the end of the twentieth century." Source
Kornblau's Art Issues Press has published many books including The Invisible Dragon and Air Guitar, written by former UNLV professor David Hickey.


Art Issues website: http://www.artissuespress.com/






Jose Bellver

David Pagel's lecture has been rescheduled to November 1st. 

Jose Bellver, local painter and UNLV professor was the lecturer on Thursday 27th @ 6pm. His work may be viewed on his website: josebellver.com. The following review of Jose's work was written by curator Diane Deming, of the Nevada Museum of Art:

"Originally from Madrid, Spain, artist Jose Bellver lives and works in the small city of Pahrump, Nevada, located on the outskirts of Las Vegas. Throughout his career, Bellver has worked with the concept of series, or bodies of work in which he explores particular ideas about color, texture and design. In the 80s, for example, Bellver created a group of Black Paintings, using tar as a medium to create a textured surface in which brush strokes functioned akin to calligraphy. He began to explore the process of painting as a way to free the picture from any sense of narrative or imagery.
The series of paintings featured in the Nevada Triennial represent Bellver’s most recent work. Emerging after a long period of recuperation following several personal tragedies, including a life-threatening car accident, the paintings express Bellver’s renewed joy and passion for color and the physical and emotional nature of painting.
All the paintings are untitled and focus on the exploration of a single color, even though several colors and paints may have gone into the underpainting. All of the paintings are large-scale, identical in size and created on wood surfaces. But the surfaces below the simplified foundations are build up through rich, expressionistic applications of pigments that he applies with a trowel. The results are paintings that are rich and vivid, deep and sensuous, challenging our notions about specific colors. Bellver’s yellows become golden and luminous with underpainting of copper and silver pigments. The surfaces take on the appearance of weathered wall surfaces or drawings, at times rubbed and worn and in other places almost linear and vibranting.
The context for Bellver’s recent paintings dates back to the late 1950s and 60s with the Minimalist paintings of Agnes Martin, Robert Ryman and Ad Reinhart. Throughout his long career, Bellver has explored numerous styles, ranging from the creation of smooth- surface designs and patterns based on specific objects and still life forms. To abstract paintings with heavy impasto and limited palettes. His most recent paintings look back to a significant period in American abstraction where the idea of working within defined limits were reified. The pictures explore the metaphysical aspect of applying paint to canvas, becoming one with the process of painting. Bellver nonetheless chooses palettes that counter the monochromatic aspect of Minimalism, instead gravitating toward searing colors, which he enhances with underpainting composed of metallic hues of gold, silver, platinum and bronze. In this respect, Bellver takes his work out of the contest of Minimalism and flirts with a kind of Neo-Expressionism and mark making distantly related to that of artist such as Cy Twombly or even Pat Steir.Jose Bellver was formally trained in Spain during the 1960’s, when he studied at the Ciculo de Bellas Artes, the Escuela de Artes y Oficios Artisticos and received his graduation from the Escuela Superior de Bellas Artes de San Fernado in Madrid. He came to the United States in the late 1960’s and initially taght art for the San Francisco Unified School District from 1969 to 1970. In 1972, Bellver received a second MFA from California State University, Sacramento. He moved to Nevada in 1980 and quickly established a reputation as a painter in Las Vegas.
Bellver’s paintings have been shown in numerous solo and group exhibits not only in Las Vegas, but throughout the United States and South America. From 1980 to 1999 he was on the faculty of the Art Department at the University of Nevada, Las Vegas, with adjunct teaching at the Community College of Southern Nevada. Currently he is the adjunct painting professor at UNLV. Bellver has been recognized in numerous publications and in 1997 was awarded the Governor’s Art Award, the most pretigious award given to the artists in our state".

Cliff Benjamin

Monday September 24th lecturer, Cliff Benjamin


Cliff Benjamin opened Western Project gallery in Los Angeles, California. 


"Western Project is a contemporary art gallery specializing in emerging and mid-career artist working with a wide range of media including: painting, sculture, installation and photography. Established in 2003, Cliff Benjamin and Erin Kermanikian opened Western Project in Downtown Culver City in November of 2003. They were the third gallery to open in what is now the center of the Los Angeles art world. In January of 2010 Western Project moved to their current location at  2762 S. La Cienega Blvd." Source

http://www.western-project.com/contact/

Sally Egbert


Sally Egbert is a contemporary painter who creates unique oil paintings and works on paper in an Abstract Expressionist manner. Egbert's work has been described as "full of floating forms danc[ing] free of any fixed boundary [which...] operate between abstract gesture and loose representation of visual observation"(Halsey Mckay Gallery 2012). Egbert studied at State University of New York and lives and works in East Hampton, New York. Egbert has been awarded a variety of considerable awards including Pollock-Krasner Grants and has participated in numerous exhibitions within New York, Los Angeles, Maryland and Arizona, as well as in Soncino, Italy. 

Links:
Sally Egbert: www.sallyegbert.com

Sally Egbert
Moving Smoke, 2005 






Sky, 2004 oil on canvas
20 x 16 inches



Sky, 2004 oil on canvas
20 x 16 inches



(All images courtesy of artist and/or their gallery)

Brian McCutcheon

Donut
2011
Video loop
Commissioned by the Indianapolis Museum of Art



An Indianapolis-​based con­cep­tual artist, Brian McCutcheon uses video, pho­tog­ra­phy, and sculp­ture to explore the rela­tion­ships between play and mas­culin­ity. He has been the recip­i­ent of a num­ber of artist grants, awards, and res­i­den­cies, most recently a 2010-​11 Pollock-​Krasner Foun­da­tion grant and a sum­mer 2009 res­i­dency at Sculp­ture Space in Utica, New York. McCutcheon cur­rently teaches at the Her­ron School of Art and Design (Indi­anapo­lis). Over the past decade, his work has been fea­tured in a wide range of exhi­bi­tions on a national and inter­na­tional scale. McCutcheon is a co-​founder and part­ner of Indi­anapo­lis Fab­ri­ca­tions (iFab), a cus­tom fab­ri­ca­tion studio.

http://brianmccutcheon.com

Self-Portrait
2007
photograph
24”x32”



Probe

2011
anodized aluminum, plastic, fiberglass, resin, video, monitors, automotive paint, 96 x 108 x 237 in.
Commissioned by the Indianapolis Museum of Art.  Photo courtesy of the Indianapolis Museum of Art.



[All images courtesy of the artist and/or their gallery]